Edge of the Pacific (brush is still wet!) 36"x36"
36” x 36” mixed media on canvas
This piece, Edge of the Pacific, is all about that feeling of standing on the coastline, looking out where the land meets the sky. The cliffs are solid, weathered, shaped by time, while the sky stretches endlessly above—soft, layered, always shifting. There’s a lot of space in this one, which I love. It reminds me of those moments when you just stop and take it all in—the quiet, the movement, the way the landscape makes you feel small in the best way.
I built up the textures with torn paper, letting the layers guide the shapes of the land and sky. The trees lean slightly, shaped by the wind, holding their ground at the edge. It’s one of those places that feels both wild and familiar, and I wanted to capture that balance.
36” x 36” mixed media on canvas
This piece, Edge of the Pacific, is all about that feeling of standing on the coastline, looking out where the land meets the sky. The cliffs are solid, weathered, shaped by time, while the sky stretches endlessly above—soft, layered, always shifting. There’s a lot of space in this one, which I love. It reminds me of those moments when you just stop and take it all in—the quiet, the movement, the way the landscape makes you feel small in the best way.
I built up the textures with torn paper, letting the layers guide the shapes of the land and sky. The trees lean slightly, shaped by the wind, holding their ground at the edge. It’s one of those places that feels both wild and familiar, and I wanted to capture that balance.
36” x 36” mixed media on canvas
This piece, Edge of the Pacific, is all about that feeling of standing on the coastline, looking out where the land meets the sky. The cliffs are solid, weathered, shaped by time, while the sky stretches endlessly above—soft, layered, always shifting. There’s a lot of space in this one, which I love. It reminds me of those moments when you just stop and take it all in—the quiet, the movement, the way the landscape makes you feel small in the best way.
I built up the textures with torn paper, letting the layers guide the shapes of the land and sky. The trees lean slightly, shaped by the wind, holding their ground at the edge. It’s one of those places that feels both wild and familiar, and I wanted to capture that balance.